Unlisted Brand • Jean-Charles Brosseau Ombre Rose • Fragrances
|Would buy this product again.||68%|
Age: 25-29 Skin: Combination, Fair-Medium Hair: Brown Eyes: Blue
Reading the reviews - it's so touching that this scent seems to come with so many emotive story. Here is mine...My mum wore this perfume throughout the 80s and 90s . I was shuffling through her beauty products last weekend (admittedly looking for something to 'borrow' as I am unlikely to pickup my bottle of duty free Chanel no5 anytime soon) and the briefest of sniffs tool me right back to when I was a little girl. Mum would pickup my sister and I after work and the subtle, powdery scent of OmbrÃ© Rose would be warmed through her neck and coat as she gave us a big hug. I love this scent, I love the memories, I love that its understated. Just beautiful!
Age: 56 & Over Skin: Combination, Medium, Neutral Hair: Silver, Straight, Fine Eyes: Hazel
I got a great deal on this on drugstore.com, because I was going back to the classic scents I used to wear back in the late '80's and early '90's. Ombre Rose was my signature "office wear" scent. It smelled exactly the same now. A blast of baby powder first which wears off after a couple of minutes to a drydown of a honeyed rose (on me) and a spicy note too. My SO says it smells like a spicy baby powder and it does not irritate his allergies. Really gorgeous bottle too. I bought the 3.4 oz, so it should last awhile. I would buy again if drugstore.com keeps it in stock. I can't stand the fruit salad scents that is so prevalent now. I had to give away those to my nieces who loves them.
Age: Unknown Skin: Acne-prone, Dark, Warm Hair: Black, Relaxed, Coarse Eyes: Black
I recently hijacked my mother's older-than-dirt perfume miniatures that were in a box that included Ombre Rose, Ombre Bleue, Robert Piguet Fracas and Bandit and Niki de Saint Phalle. The Ombre Rose is one of the best of these miniatures. I don't like strong rose based scents especially if they smell very synthetic and strong because they come across like rose scented Airwick spray but Ombre Rose has a soft rose scent mixed with a bit of a baby powder scent mixed with other notes that I'm not sure of at the moment.
I find Ombre Rose to be strangely wearable in that retro vintage outfit sort of way. Ladylike and vintage as far as this scent goes but not museum and 'ancient'-like. Ombre Rose is almost like a grown up, more complex and more sophisticated version of Love's Baby Soft or something. I think I like, this vintage Ombre Rose find/steal anyway, because it's still very different from the very young and clone-ish new perfumes that are sold everywhere nowadays and if you want very distinctive newer perfumes these days you have to pay a heck of a lot out!
Age: 30-35 Skin: Normal, Olive, Warm Hair: Brown, Curly, Medium Eyes: Brown
I'm one of the few lovers of rose scent as it seems most people don't care for them -- I like rose fragrances in most all its forms (soft, fresh, sweet, oriental, chypre, arabian, leather, smoky).
This, to my nose, is more of an intoxicating, sweet, feminine, powdery, slightly soapy scent (the rosewood & geranium lends it a Ivory soap aroma) than it is a true rose fragrance. The rose note is there but it is not very distinct.
Rosewood, vetiver, geranium, ylang-ylang, cedar, honey, cinnamon and orris root are more discernible in this perfume than is the note of rose.
Age: 25-29 Skin: Other, Fair Hair: Brunette Eyes: Hazel
Picturing pure white Snow falling on rich Velvet cloth
of Crimson, The Aldehyde Opening of Ombre Rose Conjuring
The Scent of Dry Winter Air Wet Rosewood adds a Tinge of
Cold Rose the drydown Consists of a note of snow covered
ceder steeps though the Air giving a Green Cypress freshness Brisk and awakening Iris Gives Ombre an Old
Soul frozen in time it's Powdery Nuance Conjours Images
of Old Long lost Love letters delicately Decaying through Time like a wing of a Moth or Dark violet petals
in Old Leather bounded Books falling on the lacquered
Wooded Floor in the vast but Intimate Library den in a
large Victorian Home on the outskirts of a Wintry
New England Town.
Musk Opens the drydown With a Subtlety not Overpowering or Cloyish Cinnamon makes it's
presence known but doesn't Dominates like almost
all Cinnamon notes does, Lily note has to be the
shyest in Ombre it generaly Hides behind the others
Like Camouflage, Sweet Heliotrope, And Vanilla
Finishes Ombre Rose L'Original with a Powdery Ending.
Age: 30-35 Skin: Combination, Fair-Medium, Warm Hair: Blond, Straight, Fine Eyes: Brown
I've been on the fence as to how many stars to give this perfume, because I do like it quite a bit. Ultimately I decided on 3 stars, though I personally like it enough for a 4 star rating, but this comes off to many other people as very powdery. I've even had people tell me I smell like baby powder when wearing this. I don't really want to smell like baby powder to other people, I mean baby powder isn't a bad scent but I'd like to smell a bit more sophisticated than that.
Outside of the baby powder issue, I really like this perfume and think there is more to it than roses and powder. When I pay attention I can smell the different notes through the dry down. I can definitely detect some cinnamon, musk, vanilla, and of course the ever powdery iris. I also get a hint of peach at the very beginning but it doesn't last long, and a bit of woodiness. Like I said, there is more to this perfume than just powder and florals, so I do enjoy it, but I don't find myself wearing it outside of the house much.
Age: 36-43 Skin: Combination, Fair, Warm Hair: Blond, Fine Eyes: Green
How happens I have never reviewed this?
This is a masterpiece among rose scents. As Meg has correctly pointed out below, this is the Gold Standard of roses, where you go to compare all the other rose scents out there.
It is soft, powdery and delicate, like a whisper on your skin. It is feminine and elegant. the drydown is about a powdery note, with a touch of vanilla - very subdued - heliotrope.
I loved it 30 years ago when it first came out (1981) and still love it today. I wear it often during the day as I find it subtle and very office appropriate. For comparison: it is in the lines of Bulgari Femme (the first one), minus the violet.
Absolutely a must have for any rose lovers.
top notes: Aldehydes, Rosewood, Geranium
heart notes: Rose, Orris, Lily of the valley, Ylang-Ylang
base notes. Tonka, Vanilla, Cinnamom, Heliotrope
Age: 56 & Over Skin: Very Dry, Fair, Cool Hair: Blond Eyes: Blue
I bought a full bottle of this when it first came out,loving its soft,rather melancholy,originality and elegance. Sadly, I came to associate the scent with the very difficult and painful time I was going through then and so gave it away. Recently,I wanted to re-experience it,painful memories having been integrated and transformed. It is still lovely,graceful,ageless- a modest and ladylike anchronism from a brash and unsubtle era that manages never to be boring or lacking in allure. An added plus is the beautiful bottle,as so many have commented.
Age: 30-35 Skin: Combination, Fair-Medium, Warm Hair: Red, Curly, Coarse Eyes: Hazel
Lovely, demure fragrance! There is an initial strong alcohol smell ( I guess it's the aldehydes) but then the sweet rose with a slight powdery note emerges. I always associate rose fragrances with soft and romantic and this definitely falls within this category. It is ideal to wear either with a cashmere sweater on a cold day or with a long, boho dress ( or even a 50s full skirt) in the summer. I wouldn't call it "mature" but rather girly and flirtatious. Good lasting power and not too overwhelming to wear even during the day. Although, it is not spectacular, I would find a good use for a full bottle of this.
Age: Unknown Skin: Other Hair: Other Eyes: Other
The gold standard by which all rose perfumes may be judged, delicate, wistful, gossamer, and very lovely. I find it lighthearted in an almost childlike way, neither deep nor complex, and yet there seems to be a soaring quality about it that is emblematic of classical ballet or opera. More than anything it evokes to me the unforgettable cinematic version of that opera of all operas, Die Zauberflöte, so lovingly interpreted and immortalized on celluloid by Ingmar Bergman. Mozart is very difficult to capture on film, and should be virtually impossible to delineate in scent; precariously poised between the worldly and the unworldly, his music is a constant reminder that there is more to life than perhaps meets the eye. However, miraculously, it is also this quality which is the essence of the very aptly named Ombre Rose.