I am undecided about the current rendition of or et noir extrait, and I am a huge fan of caron, particularly vintage Caron. That is to say, I have several samples of current or et noire I extrait, but the last time I tried the current one on skin, I was not as enamoured of rose fragrances as I am today.
However, I had the good fortune to be given a small amount of original vintage or et noir extrait from a friends original gold leaf covered glass bottle, and it is perhaps the most magical essence imaginable. Oily, golden, rich, ineffably wonderful. It has body and substance. And it's truly an olfactory work of art. To the point where I am afraid to open up my little vial again, because who knows when I will be able to obtain more. If current Or et Noire were anything like original 1950s Or et Noire (impossible with today's restrictions) it would get five stars and push past FM Une Rose as my reference rose.
Quite possibly, if I thought it were possible to find and purchase a well stored bottle of vintage original or et noire extrait, I would have little use for other rose fragrances in my collection. Until then, I am of course content with what I have in the dark rose category.
This review is for the urn parfum. It started out with marigold, which is okay if you only put on a tab, but bad if you put it only liberally. It then progresses into a soapy rose. It's followed by a heavenly, rich drydown. I agree with the other reviews: the drydown is incredible.
A gorgeous, gorgeous perfume! Definitely a love-at-first-dab affair for me. Caron sent me a sample along with a tiny bottle of their Rose extrait, which was being discontinued. Or et Noir is a worthy successor to that great fragrance. The opening is a little sharp, but pretty, and the rose comes through strongly all the way to the dry-down. When it's joined by the oakmoss (or tree moss, or whatever Caron is now using after IFRA banned oakmoss), the effect is deliciously soft and romantic. At the same time, it's also quite a "grand" perfume, which I can imagine wearing to the theatre or opera on a big night out. I like it any time, and am currently sporting it whilst I sit at home answering e-mails. I don't think I will ever get tired of it. There are rumous at Caron that it might be discontinued in a few months, so if you love it, buy some now.
I found a decant of this yesterday (I had forgotten about it) and put some on.... I might be in love. This is so interesting and fascinating. The drydown is stunning, and the fact that it's so non-linear holds one's interest. The rose is beautiful --- it's classic and elegant without being stuffy or dated, yet at the same time it's very dark and brooding. I'm going to spend some more time with this. There are so many facets of rose in it!
Just to add to the raves below, Or et Noir mimics a fine attar and would certainly stand up to any of the exorbitantly price niche attars from Amouage, etc. Ok, maybe it's not *quite* as tenacious as those...but still. The drydown is mysterious and warm, the roses boundless throughout. HG.
This unfolds a bit bright on me, due to the chypre. It does turn soapy, but simultaneously retains the full, rich oiliness of the roses without being overpowering. The middle and base notes are evident in the beginning, it must be the geranium that I'm getting, but it adds a green sharpness to the rose.
A friend mentioned to me she couldn't take the 'seriousness' of this perfume, and I will admit, it is hard to find particularly agreeable, but at the same time I don't find it disagreeable. I'm having a hard time deciding if I like or dislike this one. It is very well crafted, and it is nice, but it probably isn't me. Caron's Tuberose didn't work on me either, the spiciness of the classic Carons just aren't completely to my taste. This is still better, but I am just OK with it, wavering one way and then another.
It has a definite beauty, nonetheless, and I prefer it to the Caron Tuberose. I would give this a 4, if I weren't so turned off by the sharp soapiness that makes my eyes want to water when I put my nose to my wrist.
I wore this recently for my wedding :) I have many fragrances on my dresser but only this is wedding-worthy. It went well with the red roses and aromatic lily's in my bouquet :)
I am in love, beyond all reason, with this fragrance! In search of the perfect rose scent, I've tried/bought a multitude but, with the exception of Ce Soir au Jamais, have been disappointed. Rosine de Rosine didn't have enough ooomph, was too watered-down, Jo Malone's Rose lovely, sweet, but lacking drama and mystery. Gres' Caberet haunting, lovely, but not enough rose. I am always conscious of the roses that bring to mind dry, exceedingly genteel old ladies and this definitely isn't one of those.
After reading reviews on MUA, I had to sample this and was totally blown away! As others have mentioned, the geranium top note is pretty intense, but doesn't last long and the various permutations the parfum travels through as it reaches a long-lasting dry-down are sublime. For those living in New York, the Caron boutique has moved from Madison Ave. to 58th & Lexington, entrance on 58th in the Phytos building and Diane, a lovely lady well-versed in the art of Caron parfums, is a true asset to the company. It's worth a trip; the boutique is elegant.
Such high hopes, utterly crushed. I knew the opening might be rough, and its harsh soapiness did not disappoint in that regard. I resisted the strong urge to scrub, waiting for the magnificent drydown, but it just switched from soapy to sour. At least it washed off quickly, as if the perfume disliked me as much as I detested it.
Be prepared for a wintery blast of floral when you first apply the scent. But as other MUAers have so eloquently said already, the drydown is heavenly, and well worth the 1-2 punch of the first few minutes of the scent. I hope to be able to purchase a full size of this, and other Caron scents in the near future.